In my work, I often portray memory as something evoked by triggers that cannot be articulated simply as a "story". Memory occurs in muddied layers, levels, and pieces, and is metamorphosed according to what one chooses to remember at a particular moment in time about past events. A Childhood, illustrates memory in this manner.
The first layer is from my perspective as an adult woman and the artist creating the piece and recalling my childhood in Mexico. That recollection quickens the second level—that of the child looking at a magical and vibrantly colored world. Hence the surreal, warm, and brightly colored Mexican landscape painted on the door.
The third layer, within the box, is from the perspective of the little girl taking the form of her first doll and reliving her childhood in Mexico. It is within this realm that memory becomes tactile and the child comes to life by turning the handle and propelling her wind chime legs.
And finally, the fourth layer is that of the girl with a fixed gaze, looking straight ahead from the past to the future at a different land (the image on inside panel of the door) and through the porthole-like viewer at her own reflection as an adult woman.